Doom-masked figure (an agent of Salieri) pushing Mozart over the edge by hiring the struggling composer to write a funeral requiem. One of the movie's strongest images is an ominous Dr. Some music scholars wince at the distorted images of Wolfgang Amadeus Mozart and lesser-known composer Antonio Salieri perpetuated by this multiple Oscar winner (and the Peter Shaffer play that inspired it). While the real Wolfgang Amadeus Mozart was not the scruffy and impish type depicted here - and there's no real evidence his jealous rival Salieri engaged in a conspiracy to murder him - Amadeus does rock as a morality drama using these real-life figures and their music in an ornate, if lengthy, tale of envy, talent, and wicked manipulation. Show moreĬzech-born director Milos Foreman draws viewers in by having his largely American cast speak with their own voices in plain English rather than performing in out-of-tune accents and dialects. All the while Salieri pretends to be Mozart's truest friend, and he's tremendously moved by Mozart's artistic output, even as he ensures his ailing victim won't live past his early 30s. Salieri's insinuations keep Mozart from enjoying a comfortable salary from the Emperor, and he discovers another way to mess with Mozart's head through the composer's troubled relationship with a demanding, disapproving father. He gambles away his money and carouses with the Viennese nightlife, then works feverishly on operas and symphonies to support his small household. Salieri embarks on an elaborate campaign to destroy a man-child on whom he believes God has unfairly bestowed creative genius. But what really gets the older man seething is Mozart's mannerisms he's a grinning goof with a high-pitched giggle and an adolescent's social skills, and he playfully mocks Salieri's stiff demeanor and formal, uninspired style of musicianship. Into the royal court comes a potential rival in the form of music prodigy Wolfgang Amadeus Mozart (Tom Hulce), whose lively melodies, tossed off effortlessly by the 26-year-old, are far superior to Salieri's. Three decades previously, Salieri held an exalted position as the state composer in the Austrian Imperial palace of the 1700s. Murray Abraham) has just attempted suicide in an asylum and wants to confess his mortal sins to a tremulous young priest.
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To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.Īt the start of AMADEUS, the aged Salieri ( F. Parents also should know that there's no real evidence to back up this movie's plot. Mozart is frequently shown to be drunk, working or running around town with a bottle of wine close at hand. Mozart has his wife-to-be translate when he says backward phrases such as "eat my s-t" and "kiss my ass." Words like "damn," "hell," and "s-twit" also are used.
Mozart's opera The Marriage of Figaro is set in a brothel, which provokes strong objections from the king as well as other composers. Implied sexual liaisons between Mozart and the star of one of his operas.
A naked backside and partial breasts are shown. The film includes an attempted suicide, disturbing images of mentally ill men kept chained and naked in a sanitarium, and some sexual hanky-panky. There are two versions one is rated PG and an extended version is rated R. Parents need to know that Amadeus is a 1984 movie based on a play.
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